Showing posts with label Peter Smith. Show all posts
Showing posts with label Peter Smith. Show all posts

Sunday, September 2, 2018

Show Stopper


Pull up a chair and check out this delightful pencil on paper drawing of a 1920's era audience watching a performance in the distance. Each person comes to life with just a few pencil strokes and shading. The woman wearing the wide brimmed hat and holding a fan looks particularly engaged by what she sees. This crowd-pleaser by artist Jerome Myers is another fantastic example from the Pantages Portfolio, which goes on sale to the public on Friday, September 28, 2018.

Jerome Myers (1867-1940) was born in Virginia and was one of five children. He moved to New York City in 1886 and started his art career as a scene painter while at the same time attending evening art classes at Cooper Union and the Art Students League. A few years later he started working in the art department of the New York Tribune. His career really took off when his colleague Edward Adam Kramer introduced his work to the art dealer William Macbeth. Myers became known for his urban scenes and landscapes, and his ability to capture the magic and details of everyday street life across cultures. Myers won numerous prestigious awards, including the Altman Prize (twice), the National Academy's Carnegie Prize, and the Isidor Medal. His work is part of the permanent collection or has been shown at the Metropolitan Museum of Art and the Whitney Museum of American Art in New York City,  among many others.

Wednesday, August 29, 2018

A Walk In The Woods

It is said that art builds bridges, and that's exactly what is happening here with this astonishingly lifelike work by noted 19th century artist Narcisse Virgil Diaz de la Pena. This painter is best known for his forest and storm scenes and it's easy to see why - the view here is so authentic it is as if one were looking out on it in person! This painting is another breathtaking example from the Pantages Portfolio, which will will be available for viewing and purchase starting on September 28, 2018.

Frenchman Narcisse Virgil Diaz de la Pena (1808-1876) had a rough start in life; he became an orphan and lost a leg to infection before he was a teenager. He began formally studying art at 15, focusing on painting after first working in porcelains. Over time, he met fellow artist Théodore Rousseau and really admired Rousseau's style and ability to capture forests on canvas so well. They eventually became good friends. Diaz de la Pena worked his entire adult life as a successful and highly sought-after artist. His paintings are part of the permanent collection of the Louvre, The Wallace Collection in London, The Metropolitan Museum of Art in New York, the Boston Museum of Fine Arts, and the Isabella Stewart Museum in Boston, among many others.

Thursday, August 23, 2018

Catch the Spirit

What do you see here? A landscape, certainly. But don't the mountains in the back of the the work also hint of a majestic bird in flight or even a sacred figure? Only the artist, Elliott Daingerfield, knows for sure. This wonderful painting, from the Pantages Portfolio, truly soars to new heights.

Elliott Daingerfield (1859–1932) was an American painter best known for his religious, as well as landscape works. This example in some ways is a hybrid of these two areas. He was born in West Virginia and but grew up and spent much of his life in North Carolina. He completed his art training in New York and studied at the Art Students’ League. Daingerfield traveled to Europe in the late 1890’s where he became very interested in religious themes. He painted the mural in the Church of Saint Mary the Virgin in New York City. Later in his life he began writing about art, authoring several magazine articles as well as artist biographies. He was a full member of the National Academy of Design from 1906 onward. As a favorite son of North Carolina, Daingerfield’s work has been exhibited at the North Carolina Museum of Art and his childhood home in Fayetteville has been made into a local museum.

Thursday, August 9, 2018

The Roar of The Crowd

You can almost feel the energy in the ring with this dramatic and handsome oil on board work depicting a bullfight. It was painted by artist Jorge Castillo and is another extraordinary find from the Pantages Portfolio.

Jorge Castillo was born in Spain in 1933 but moved with his family to Argentina as a baby. He started his formal artistic training in 1941 when he attended the “Ecole des Beaux-Arts” in Buenos Aires for a short time. In 1955, he moved to Madrid where he focused on surrealistic gouaches and drawings; his first exhibit was held a few years later in 1959. Castillo traveled extensively thorough the 1970's, living and working in Paris, Geneva, and Berlin. He moved to New York in the early 1980's where he concentrated on designing sculptures for public spaces. Casillo was lifetime admirer of Pablo Picasso and themes common to Picasso appear in Castillo's artworks over time. His paintings and sculptures has been shown throughout Europe and the Americas, and he has won numerous prestigious awards - including the International Drawing Prize in Darmstadt, Germany in 1964.


Thursday, July 26, 2018

A Merry Mashup

This amazing reverse painting on glass from the Pantages Portfolio is certain to turn more than a few heads! This dramatic image features a sculpture comprised of items from two categories... outdoor sports (including fox hunting, fishing, birding, and powder horns) and very feminine things (like a purse, pink scarf, lace, and boudoir accessories.) What is the artist trying to say here?

This visually stunning work is by French artist Fernand Renard (1912-1990) and is signed "Paris 1937." Little about the painter's personal life or influences has been documented. His works usually feature hyper-realistic still life images, including flowers, fruit, and shells. Professionally, Renard worked as a trompe l'oeil painter for the Paris based interior decorators Maison Jansen. This company was started in 1880 and was the first truly global design firms. Maison Jansen decorated the homes and offices of royal families, famous celebrities, and politicians - including some rooms in the White House during the JFK administration. Maison Jansen closed its doors in 1989, but the firm's furnishings and decorative items are still highly sought after at auction today.

Tuesday, July 3, 2018

Girl Power

It's easy to warm up to this fantastic watercolor painting of a woman in a fuzzy black hood. This headliner from the Pantages Portfolio was painted by Ludwig Bemelmans in Madrid in 1955. With just a few simple brush strokes and the bold use of color, he brings this stunning woman to life.

Ludwig Bemelmans (1898-1962) was born in what is now part of Italy. He came to the United States in 1917 and became a citizen a year later in 1918. He worked at hotels during the day and painted at night, but had minimal artistic success through the early 1930's. Bemelmans started working on children's books in 1934. His big success came in 1939 with the first Madeline book, published by Simon & Schuster. This book starred Madeline, a 7-year-old girl who attended boarding school in Paris. He would go on to write seven books in the Madeline series, the last published posthumously in 1999. The story's heroine was named after Bemelmans' wife, Madeleine "Mimi" Freund. Bemelmans' only work on display to the public is a mural he drew on the walls of the Bemelmans Bar, located in New York City's historic Carlyle Hotel.




The View From Here

Come take a look - the view is delightful! This could be said both about this three-panel hinged painting by Bernard Chaet, as well as the entire Pantages Portfolio! This work, accurately entitled "Panorama," is colorful and upbeat - and in a way has a "selfie" feel to it, given its perspective and angle.

American artist Bernard Chaet (1924-2012) is best known for his colorful, modernist figure and animal paintings. He taught for over four decades as a Professor of painting at Yale University in New Haven, CT; he was also chair of the school's art department. He won many awards over the course of his lifetime, including a Sabbatical Grant from the National Foundation of the Arts and Humanities, the Benjamin Altman Award in Painting from the National Academy of Fine Arts, and the Jimmy Ernst Prize from the American Academy of Arts and Letters. He was also named a National Academician by the National Academy of Design in 1994. Examples of Chaet's work can be found at the Museum of Fine Arts in Boston, the Metropolitan Museum of Art in NYC, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C., among many others.








Friday, May 11, 2018

Cat-aloging With Friends

"So here's a snapshot of some of the daily fun and surprises that the Pantages Portfolio project brings. I am sure nothing like this will ever happen to me again. So to relish this time, I make sure to wade through Judy's studio once in awhile to enjoy the images that I see often for the first time. If you are going to surround yourself in something, let it be art!  

Here you can see Judy examining a joyous (and musical) example of African-American themed art.  I'm not sure of the artist, but I am sure I adore the work! Jim Pantages has a great eye for this category of art, and you can check out other fine African American paintings from his collection in our themed photo gallery.  But if you look closely here, and above, Judy is also consulting our resident feline expert, Lucy, about her impressions of the piece.  

Lucy is also the official Pantages Portfolio keyboard warmer, and measuring tape keeper.  And no one could do it better." - Peter Smith

Tuesday, May 1, 2018

Two For One, or, Frustrating and Fabulous

"You have already heard me say this a few times already, but our collector James Pantages has an incredible eye for art. He also has a kind of innate sort of brilliance art lovers can only dream about. Mr. Pantages always bought the art and not the artist. He could not care less who created the work; if the image did not speak to him he simply moved along.

So here we go again with another anonymous collection highlight. This early midcentury two-sided oil on board painting is a prime example of a "yet to be figured out" unknown talent. Who paints something this amazing and doesn’t sign it? Personally, this makes me crazy, mostly because I love it so much and want to fill in the blanks. So often just knowing who created the work helps to explain subtleties about the picture that may not be so obvious. My friend and art expert Colleen Fesko and I agree it is so far one of our favorites. If anybody has thoughts on who painted this superb abstract please let us know." - Peter Smith